PERFORMERS
AREAWelcome to the Free Festival
Performers area, here you can find
downloads and
information if you are performing with us, or
information on how to
perform with us in future years if you are looking for a
venue at the Edinburgh Fringe. (We will be opening 2013
applications in late 2012). To edit your shows and own
information click here to login.
PERFORMER
DOWNLOADS
Click here for performer
downloads for this years fringe, including Free Festival, Laughing Horse Venue
Logos, Maps and fonts - everything you need for your
advertising this year
HELP
AND ADVICE
Below are links to articles
written by Free Festival performers to help you decide on
how to produce your show at the Fringe from their own
experiences, and a series of Interviews of Festival
performers, reviewers and producers by Ian Fox.
Paid
or Free Shows? - What you need to know! Advice
on bringing your show to Edinburgh. Two Articles, by
Producer Poppy Ben-David and performer Lynn Ruth Miller
Critics Interviews -
A selection of interviews with critics on how they choose
which show to see, and how they thing Free shows can be
approved, with interviews from Jay Richardson (Freelance),
Steve Bennett (Chortle), Julia Chamberlain (Chortle &
producer), Geoff Evans (One4Review), Claire Smith
(Scotsman), Julian Hall (Independent), Melissa Burgess (The
List, Chortle, MEN), Tim Arthur (Time Out) Chris Hislop
(Fringe Review) and The Stage review team.
How to Produce a Free Festival Show -
Tips and hints from Free festival veteran Ian Fox (with
additional material by Mile Belgrave)
How to promote a Free show -
Tips and hints from Free festival veteran Ian Fox (with
additional material from Lynn Ruth Miller, Ivor Dembina and
Bob Slayer)
How to promote a Free show Part 2 -
Tips on free show promotion from Liz McIntosh (Festival
previews) and Mark (Editor of the British Comedy Guide)
How to list a show in the Fringe Programme -
tips on how to list your show in the main Fringe programme
by Ian Fox
Best Posters & Best
Free Festival Posters -
ideas on producing your poster by Ian Fox
For other
articles do see Ian Fox's Wordpress site for others that
have been added: http://theianfox.wordpress.com/
PERFORM IN 2013
We will start to take applications
for 2013 in December 2012, and once again we will be back at
all of our venues at the Edinburgh Fringe with a large
programme of free shows. If
you would like to perform with us in 2013please read through
the information on this page. To be added to our performers
mailing list, or if you would like to ask us anything do
please contact us on info@freefestival.co.uk
FREE FEST INFO
Following is lots of
information for new performers on how the Free
Festival works, who we are and what doing a free
festival show will entail.
About
Laughing Horse
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The
Free Festival is organised by Alex Petty of Laughing
Horse Comedy (specifically Laughing Horse
Festivals Ltd, who also run festival venues in
Brighton, Adelaide and Hollywood). Along with
Alex a team of volunteers from
the performers, promoters and producers who have
presented shows at the Free Festival over the years,
as well as specific people who work on the website,
design and production and iphone/mobile apps.
At the Fringe we aim to produce shows across all
Fringe genres - not just comedy! This year we have
over many theatre, cabaret, music, children's and many other
types of show alongside comedy shows. (click
here for this years programme)
Laughing Horse
Comedy is a professional production company that
promotes comedy events and venues throughout the UK during
the year, with its own comedy clubs that range from
new act nights through
to shows with big names and large venues - along
with booking for other comedy clubs, shows at
Festivals, Comedy Courses, a booking agency and
running the UK’s
largest search for new comedy talent. Laughing Horse
also promote four venues at the smaller Brighton
Fringe in May, a venue at the Adelaide Fringe in
February/March and at the Hollywood Fringe in June.
For the Edinburgh
Fringe Laughing Horse manages the venues, and
selects and programmes the comedy elements of the
Free Festival programme, with a number of producers
of theatre, music and art selecting other elements
of the programme. |
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"The Laughing Horse's Free Fringe shows serve as a
useful reminder of that frequently encountered
concept - The Spirit
of the Fringe" - Malcolm
Hay, Time Out |
About the
Free Festival
The Free Festival began in 2004,
and in that time the Free festival has grown from a single
venue to 18 separate venues and 30 performance spaces, making it one of the biggest
organisations at the Fringe. We annually have over 300 shows
and 6,500 performances at our venues.
The
Free Festival allows performers to experience the Edinburgh
Fringe, in professionally managed and equipped venues,
without the overbearing costs of the paid venues, or the shambolic nature of some other free venue promoters who only
provide empty rooms and expect you to provide all of your
own venue equipment! Although we are free, we are still a
major part of the Fringe, with shows part of the main Fringe
programme, and as such with all of our performers gaining
all of the benefits of being a Fringe Performer and part of
the world's largest arts festival, with performers
qualifying for all of the major awards, and getting the
opportunity of getting reviews, or being seen by promoters
and other industry people.
2010
saw Free Festival show "An Audience with Imran Yusuf" become
the first ever free show to be nominated for the main
Edinburgh Comedy Awards (Formally the Perrier Awards), and
Free Festival shows have also been nominated for and won
awards from The
Three Weeks Editor Awards, Total Theatre Awards, Musical
Theatre Matters Awards, Fresh Air Radio Awards, Mervyn
Stutter's Pick of the Fringe and The
Malcolm Hardee awards -
an event that has been hosted as part of the Free Festival
since 2010. Along with these awards, and numerous five and four
star rated shows the Free Festival has become known as the
place to see quality free shows, as well as for shows that
offer the full diversity of the Fringe programme - as we aim
each year to truly put the alternative back into the
Fringe!
We
seek to only operate from quality venues that are welcoming
to audiences and performers, situated in central, popular areas of
Edinburgh - there's no point coming the Fringe and trying to
run a show in a venue miles out of town! All of our venues
are set-up, at minimum, to the standard that you would
expect of small comedy club and in many cases to a much higher standard, with sound systems, lighting, stages and AV equipment, and in the
case of the Counting House’s ballroom, the Hive's Big Cave
and The Three Sisters, we offer a high specification
performance space on a par, if not better than many large
paid venues with a full lighting rigs and sound systems, a
large stage and room suitable for large theatre productions,
full cabaret shows or big-name comedians. All
of our exact venue specifications can be found here.
We
believe that for performers to produce the best possible
shows they should be concentrating on their performances,
which is why we fully manage the set-up. Performers should
not be worrying about finding equipment for venues, coping
with performance spaces without facilities or at the other
end of the scale worrying about over-bearing costs and large
financial losses. We aim to foster the best atmosphere
possible at our venues, to help you achieve your Fringe
goals, be they media attention, excellent reviews,
furthering your career in the arts or simply performing
during the Fringe to large audiences and having a very
enjoyable August.
Overall
we encourage an atmosphere of teamwork, and foster an ethos
where performers volunteer to help maintain the success of
all our venues and shows, who all work together to the
benefit of everyone - with the best in new talent being
encouraged along-side bigger name performers.
Since
we started running free venues we have had full runs of
shows from the likes of Peter Kay, Pappy’s Fun Club, John Gordillo,
Lewis Schaffer, Imran Yusuf, Nick Wilty, Sol Bernstein,
Steve Day, Cabaret Whore and Ivor Dembina, plus appearances
on our stages from performers such as Alan Carr, Scott
Capurro, Stewart Lee, Arthur Smith, Richard Herring, Brendan
Burns, Marcus Brigstoke, Reg D. Hunter, Dan Antopolski and
Paul Foot - amongst many other stars of comedy, theatre,
music and dance. Many of our shows have been taken from the
Fringe and gone from there to break into a full time career
in the arts, UK and internal tours, and paid work from
Beijing, to Adelaide, from Scriptwriting for Disney to
performing at Festivals worldwide.
We
don’t just concentrate on comedy either, we run venues that
provide a mixed programme of shows that encompass all Fringe
genres including theatre, music, comedy, cabaret, opera,
musicals, children’s shows, events and art displays – all
programmed by experienced producers in each area.
Our venues have capacities from 40 to 200 and are
able to accommodate a huge variety of performances. Each
venue also has a number of friendly bars and spaces for
audiences to congregate, including four with dedicated
outdoor areas and outdoor bars.
We
aim to encourage and create better conditions for
performers, and better value for audiences while being
inclusive of all performers and working with others who
share that ethos. We believe that being negative about other
organisations detrimental to everybody’s aims and would
rather concentrate on doing our best to promote the shows in
our own venues, and work with other organisations where we
can - and this has included working with Underbelly, The
Museum of Scotland, Kopparberg, The Alternative Fringe, Various Churches and smaller
venues, and many other organisations over our years at the
Fringe.
The Free Festival as a whole gains fantastic reviews,
there are award winners and nominees and coverage from media
organisations each year including Sky News,
Reuters, The BBC, STV, The International Television
Festival, The Guardian, The Independent, The Times as well
as many reviews and articles in Scottish and Edinburgh
publications and media such as the Scotsman, The List, the
Metro, Leith FM, Forth FM and other media and web based
media. Our performers achieved success with awards, a huge
number of reviews and further work, higher profiles and
tours and productions of their shows in the UK and
internationally. Last year nearly 75%
of our shows were reviewed as 3 star and above, along with
nearly eighty 4-star reviews and thirty 5-star reviews.
"[Free shows
are] a reminder of the roots of all this. The main fringe is
colossally expensive big business now, it’s rather
disingenuous to call it “Fringe” when it’s now a main event
and cost the price of a small car to put on." - Julia
Chamberlain (Highlight Booker, SYTYF Producer, Chortle
Reviewer)
Why Free?
One
of the two main gripes of performers at the Fringe is the
costs of producing a show at the Fringe, which is often
quoted as being between £6,000 and £10,000, and performers
having to present their shows to small audiences. By
performing your show for free you can negate both of those
issues.
We
don’t charge a hire fee for the spaces, therefore removing a
large amount of your costs, and audiences aren’t charged to
come in, meaning much larger audiences – and at the Fringe
that still means people are coming to see your show, it is
just that being free means they come in large numbers
because of the overall dissatisfaction with high ticket
prices across the Fringe in general. Audiences are asked for
a contribution on the way out, which goes 100% to the
performer.
The
average audience for one of our Free shows is 48 people,
although that obviously depends a lot on time, location and
the performers PR. The average donation per person is
between £1 and £2. Many performers in 2010 took home over
£50 a day, with some performers reporting collections in
excess of £200 on occasion, and successful/well reviewed
shows achieving
Click here to read producer Poppy Ben-David and performer
Lynn Ruth Miller's experience of the Free Festival, compared
to bringing shows to paid venues
"What should worry [now ex-Fringe director] Morgan and,
indeed, the Big Four, not entirely smiling all the way to
the bank, is the continuing growth of the free Fringe, where
punters pay what they wish at the end of a show; some comics
report they have made more from the collection bucket than
they ever did at the main venues."-
The Guardian
What will it cost
me?
The
cost to use our venues is completely free, there is no hire
charge for the space at all.
To
cover the cost of equipment, damages and repairs, central
Free Festival publicity, signage and advertising we ask each
show to pay £46 into central funds, which is the equivalent
of around one days collection. For
this you get all of the venue equipment that is listed in
the venue plans, it covers all venue signage and advertising
banners for all shows, plus the production of 80,000+ Free
Festival brochures, the website and a lot of general PR,
advertising, posters and flyers. (Single
performance shows only have to pay £23 to us)
Along
with this you need to pay for your entry into the main
Fringe programme, last year that was around £295 for a run of
shows, or £80 for a single performance. You must
enter the Fringe programme, as without this it is near
impossible to promote your show and get audiences, and you
will be invisible to reviewers, promoters or the awards
panels - In essence, if you are doing a show in Edinburgh
during the Fringe and you are not in the programme you are
doing a show in Edinburgh while the Fringe is on, rather
than being part of the Fringe. 
You
will have to pay for your own show advertising, and this can
be as little as £140 with the special deal we have organised
with Tenfold printing, and this covers 5000 A6 flyers and 50
posters. We even have designers on hand who offer discounted
design for our free shows if you need this.
The
above should be seen as the minimum advertising required, as
even though your show is free you will still need to
publicise your performances to get good sized audiences. You
can do more, and the principle of the more you put into your
show, the more you will get out of it really holds true. Use
your funds wisely and if you invest in PR, further
advertising and more marketing your audiences and media
coverage will grow. If you treat your show professionally,
then the media and audiences will treat you as a
professional performer.
Other
than that, it is up to you – obviously you will have your
accommodation costs (we are hoping to get a special deal on
accommodation this year for our free performers), your
travel costs, plus it is up to you how much further you push
your promotion by getting professional PR, or increasing
your advertising, display advertising in publications. In
terms if display advertising the Free Festival has
negotiated discounts with several publications. Remember
that you are putting on a professional show, and your
production should be treated professionally - the more you
put into it, the more you will get out of it.
With the collection money taken, many
shows brake even,
and especially with performers who had no or very little
living expenses some made a reasonable profit. In most
cases, performers who lost money were limited to a few
hundred pounds, unless they had thrown much more into
expensive accommodation or PR – and of course that can be
recouped from work gained after the festival. if you are
able you can also sell merchandise after your performance to
increase your income further (with 100% of merchandise
profits going to the performer).
The
Free festival also helps you to enjoy the Fringe by offering
performers discounts at our venues bars, and on food and
drink, to help keep the day-to-day costs of being at the
Fringe down, plus free internet access and networking and
socializing events throughout the month, as well as the
Meadow Bar becoming the de facto performers bar for free
performers and people who don't want to go to the expensive
performers bars in the mega-venues.
Being
a free show you are also currently exempt from PRS charges.
“There is a rebellion at the Fringe this year. High venue
costs have caused some artists to take matters into their
own hands. Doug Stanhope is charging £7349 for a one-off
show in someone's living room and the Free Fringe
organisations have brought more acts than ever to Edinburgh
at no extra charge” – The List
What Will I get Out
of It?
As
well as the experience of performing intensively, and the
enjoyment of being in Edinburgh with a large group of
like-minded people in a welcoming and friendly atmosphere,
you will also gain significant chances to network with other
professionals and further your careers.
With
good PR you will get press and media attention, along with
reviews. In 2010 the majority of performers reported that
they had been seen or approached by promoters or bookers for
further work, and some have been invited to perform
nationally and internationally - you will see our performers
at other UK Festivals, in New York, at the Melbourne Comedy
Festival, Hollywood Fringe and in many other
places around the world because of their Free Festival
shows. In once case a performer is currently putting
together a treatment for a television series, another has
toured to Beijing and so on!
In
short you can achieve anything that you could do in a paid
venue, but without the significant costs of this.
“Best Freebies: www.freefestival.co.uk – shows are free to
audiences, venues do not charge fees to performers. The Free
Festival is hosting 157 shows – with an expanded programme
which now includes children’s shows, a free night-club and
an opera. Performers tend to pass round a hat at the end of
every show – but there is no pressure and you’ll enjoy the
relaxed and friendly atmosphere.” – The Scotsman
"Free shows
are great. I feel I should confess that I did one myself
this year so I do have a vested interest in this. But
overall I think they’re great for acts to be able to try
stuff out without the chance of losing thousands of pounds.
I think it gives audiences the opportunity to see some
fantastic offering from a broader range of artists." - Tim
Arthur, Time Out Comedy Editor
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