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PERFORMERS AREA

Welcome to the Free Festival Performers area, here you can find downloads and information if you are performing with us, or information on how to perform with us in future years if you are looking for a venue at the Edinburgh Fringe. (We will be opening 2013 applications in late 2012). To edit your shows and own information click here to login.

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Performer Downloads Perform in 2013 Venue Specs

PERFORMER DOWNLOADS

Click here for performer downloads for this years fringe, including Free Festival, Laughing Horse Venue Logos, Maps and fonts - everything you need for your advertising this year


HELP AND ADVICE

Below are links to articles written by Free Festival performers to help you decide on how to produce your show at the Fringe from their own experiences, and a series of Interviews of Festival performers, reviewers and producers by Ian Fox.

sl1.jpg (46824 bytes)Paid or Free Shows? - What you need to know! Advice on bringing your show to Edinburgh. Two Articles, by Producer Poppy Ben-David and performer Lynn Ruth Miller 

Critics Interviews - A selection of interviews with critics on how they choose which show to see, and how they thing Free shows can be approved, with interviews from Jay Richardson (Freelance), Steve Bennett (Chortle), Julia Chamberlain (Chortle & producer), Geoff Evans (One4Review), Claire Smith (Scotsman), Julian Hall (Independent), Melissa Burgess (The List, Chortle, MEN), Tim Arthur (Time Out) Chris Hislop (Fringe Review) and The Stage review team.

How to Produce a Free Festival Show - Tips and hints from Free festival veteran Ian Fox (with additional material by Mile Belgrave)

How to promote a Free show - Tips and hints from Free festival veteran Ian Fox (with additional material from Lynn Ruth Miller, Ivor Dembina and Bob Slayer)

How to promote a Free show Part- Tips on free show promotion from Liz McIntosh (Festival previews) and Mark (Editor of the British Comedy Guide)

How to list a show in the Fringe Programme - tips on how to list your show in the main Fringe programme by Ian Fox

Best Posters & Best Free Festival Posters - ideas on producing your poster by Ian Fox 

For other articles do see Ian Fox's Wordpress site for others that have been added: http://theianfox.wordpress.com/


PERFORM IN 2013

We will start to take applications for 2013 in December 2012, and once again we will be back at all of our venues at the Edinburgh Fringe with a large programme of free shows.  If you would like to perform with us in 2013please read through the information on this page.  To be added to our performers mailing list, or if you would like to ask us anything do please contact us on info@freefestival.co.uk


FREE FEST INFO

Following is lots of information for new performers on how the Free Festival works, who we are and what doing a free festival show will entail.

About Laughing Horse

The Free Festival is organised by Alex Petty of Laughing Horse Comedy (specifically Laughing Horse Festivals Ltd, who also run festival venues in Brighton, Adelaide and Hollywood). Along with Alex a team of volunteers from the performers, promoters and producers who have presented shows at the Free Festival over the years, as well as specific people who work on the website, design and production and iphone/mobile apps. At the Fringe we aim to produce shows across all Fringe genres - not just comedy! This year we have over many theatre, cabaret, music, children's and many other types of show alongside comedy shows. (click here for this years programme)   

deseree.jpg (32945 bytes)Laughing Horse Comedy is a professional production company that promotes comedy events and venues throughout the UK during the year, with its own comedy clubs that range from new act nights through to shows with big names and large venues - along with booking for other comedy clubs, shows at Festivals, Comedy Courses, a booking agency and running the UK’s largest search for new comedy talent. Laughing Horse also promote four venues at the smaller Brighton Fringe in May, a venue at the Adelaide Fringe in February/March and at the Hollywood Fringe in June.

For the Edinburgh Fringe Laughing Horse manages the venues, and selects and programmes the comedy elements of the Free Festival programme, with a number of producers of theatre, music and art selecting other elements of the programme.

"The Laughing Horse's Free Fringe shows serve as a useful reminder of that frequently encountered concept - The Spirit of the Fringe" - Malcolm Hay, Time Out

About the Free Festival

The Free Festival began in 2004, and in that time the Free festival has grown from a single venue to 18 separate venues and 30 performance spaces, making it one of the biggest organisations at the Fringe. We annually have over 300 shows and 6,500 performances at our venues.

The Free Festival allows performers to experience the Edinburgh Fringe, in professionally managed and equipped venues, without the overbearing costs of the paid venues, or the shambolic nature of some other free venue promoters who only provide empty rooms and expect you to provide all of your own venue equipment! Although we are free, we are still a major part of the Fringe, with shows part of the main Fringe programme, and as such with all of our performers gaining all of the benefits of being a Fringe Performer and part of the world's largest arts festival, with performers qualifying for all of the major awards, and getting the opportunity of getting reviews, or being seen by promoters and other industry people.   

imran99.jpg (86238 bytes)2010 saw Free Festival show "An Audience with Imran Yusuf" become the first ever free show to be nominated for the main Edinburgh Comedy Awards (Formally the Perrier Awards), and Free Festival shows have also been nominated for and won awards from The Three Weeks Editor Awards, Total Theatre Awards, Musical Theatre Matters Awards, Fresh Air Radio Awards, Mervyn Stutter's Pick of the Fringe and The Malcolm Hardee awards - an event that has been hosted as part of the Free Festival since 2010. Along with these awards, and numerous five and four star rated shows the Free Festival has become known as the place to see quality free shows, as well as for shows that offer the full diversity of the Fringe programme - as we aim each year to truly put the alternative back into the Fringe!  

We seek to only operate from quality venues that are welcoming to audiences and performers, situated in central, popular areas of Edinburgh - there's no point coming the Fringe and trying to run a show in a venue miles out of town! All of our venues are set-up, at minimum, to the standard that you would expect of small comedy club and in many cases to a much higher standard, with sound systems, lighting, stages and AV equipment, and in the case of the Counting House’s ballroom, the Hive's Big Cave and The Three Sisters, we offer a high specification performance space on a par, if not better than many large paid venues with a full lighting rigs and sound systems, a large stage and room suitable for large theatre productions, full cabaret shows or big-name comedians. All of our exact venue specifications can be found here. 

We believe that for performers to produce the best possible shows they should be concentrating on their performances, which is why we fully manage the set-up. Performers should not be worrying about finding equipment for venues, coping with performance spaces without facilities or at the other end of the scale worrying about over-bearing costs and large financial losses. We aim to foster the best atmosphere possible at our venues, to help you achieve your Fringe goals, be they media attention, excellent reviews, furthering your career in the arts or simply performing during the Fringe to large audiences and having a very enjoyable August.

Overall we encourage an atmosphere of teamwork, and foster an ethos where performers volunteer to help maintain the success of all our venues and shows, who all work together to the benefit of everyone - with the best in new talent being encouraged along-side bigger name performers.

Since we started running free venues we have had full runs of shows from the likes of Peter Kay, Pappy’s Fun Club, John Gordillo, Lewis Schaffer, Imran Yusuf, Nick Wilty, Sol Bernstein, Steve Day, Cabaret Whore and Ivor Dembina, plus appearances on our stages from performers such as Alan Carr, Scott Capurro, Stewart Lee, Arthur Smith, Richard Herring, Brendan Burns, Marcus Brigstoke, Reg D. Hunter, Dan Antopolski and Paul Foot - amongst many other stars of comedy, theatre, music and dance. Many of our shows have been taken from the Fringe and gone from there to break into a full time career in the arts, UK and internal tours, and paid work from Beijing, to Adelaide, from Scriptwriting for Disney to performing at Festivals worldwide. 

We don’t just concentrate on comedy either, we run venues that provide a mixed programme of shows that encompass all Fringe genres including theatre, music, comedy, cabaret, opera, musicals, children’s shows, events and art displays – all programmed by experienced producers in each area.

2010-1.jpg (44504 bytes)Our venues have capacities from 40 to 200 and are able to accommodate a huge variety of performances. Each venue also has a number of friendly bars and spaces for audiences to congregate, including four with dedicated outdoor areas and outdoor bars.

We aim to encourage and create better conditions for performers, and better value for audiences while being inclusive of all performers and working with others who share that ethos. We believe that being negative about other organisations detrimental to everybody’s aims and would rather concentrate on doing our best to promote the shows in our own venues, and work with other organisations where we can - and this has included working with Underbelly, The Museum of Scotland, Kopparberg, The Alternative Fringe, Various Churches and smaller venues, and many other organisations over our years at the Fringe. 

The Free Festival as a whole gains fantastic reviews, there are award winners and nominees and coverage from media organisations each year including Sky News, Reuters, The BBC, STV, The International Television Festival, The Guardian, The Independent, The Times as well as many reviews and articles in Scottish and ads2.jpg (67683 bytes)Edinburgh publications and media such as the Scotsman, The List, the Metro, Leith FM, Forth FM and other media and web based media. Our performers achieved success with awards, a huge number of reviews and further work, higher profiles and tours and productions of their shows in the UK and internationally. Last year nearly 75% of our shows were reviewed as 3 star and above, along with nearly eighty 4-star reviews and thirty 5-star reviews.

"[Free shows are] a reminder of the roots of all this. The main fringe is colossally expensive big business now, it’s rather disingenuous to call it “Fringe” when it’s now a main event and cost the price of a small car to put on." - Julia Chamberlain (Highlight Booker, SYTYF Producer, Chortle Reviewer)

as1.jpg (41141 bytes)Why Free?

One of the two main gripes of performers at the Fringe is the costs of producing a show at the Fringe, which is often quoted as being between £6,000 and £10,000, and performers having to present their shows to small audiences. By performing your show for free you can negate both of those issues.

We don’t charge a hire fee for the spaces, therefore removing a large amount of your costs, and audiences aren’t charged to come in, meaning much larger audiences – and at the Fringe that still means people are coming to see your show, it is just that being free means they come in large numbers because of the overall dissatisfaction with high ticket prices across the Fringe in general. Audiences are asked for a contribution on the way out, which goes 100% to the performer.

2010-2.jpg (48823 bytes)The average audience for one of our Free shows is 48 people, although that obviously depends a lot on time, location and the performers PR. The average donation per person is between £1 and £2. Many performers in 2010 took home over £50 a day, with some performers reporting collections in excess of £200 on occasion, and successful/well reviewed shows achieving

Click here to read producer Poppy Ben-David and performer Lynn Ruth Miller's experience of the Free Festival, compared to bringing shows to paid venues 

"What should worry [now ex-Fringe director] Morgan and, indeed, the Big Four, not entirely smiling all the way to the bank, is the continuing growth of the free Fringe, where punters pay what they wish at the end of a show; some comics report they have made more from the collection bucket than they ever did at the main venues."- The Guardian

What will it cost me?

The cost to use our venues is completely free, there is no hire charge for the space at all.

To cover the cost of equipment, damages and repairs, central Free Festival publicity, signage and advertising we ask each show to pay £46 into central funds, which is the equivalent of around one days collection. For this you get all of the venue equipment that is listed in the venue plans, it covers all venue signage and advertising banners for all shows, plus the production of 80,000+ Free Festival brochures, the website and a lot of general PR, advertising, posters and flyers.  (Single performance shows only have to pay £23 to us)

Along with this you need to pay for your entry into the main Fringe programme, last year that was around £295 for a run of shows, or £80 for a single performance. You must enter the Fringe programme, as without this it is near impossible to promote your show and get audiences, and you will be invisible to reviewers,  promoters or the awards panels -  In essence, if you are doing a show in Edinburgh during the Fringe and you are not in the programme you are doing a show in Edinburgh while the Fringe is on, rather than being part of the Fringe.  

You will have to pay for your own show advertising, and this can be as little as £140 with the special deal we have organised with Tenfold printing, and this covers 5000 A6 flyers and 50 posters. We even have designers on hand who offer discounted design for our free shows if you need this.

The above should be seen as the minimum advertising required, as even though your show is free you will still need to publicise your performances to get good sized audiences. You can do more, and the principle of the more you put into your show, the more you will get out of it really holds true. Use your funds wisely and if you invest in PR, further advertising and more marketing your audiences and media coverage will grow. If you treat your show professionally, then the media and audiences will treat you as a professional performer.

Other than that, it is up to you – obviously you will have your accommodation costs (we are hoping to get a special deal on accommodation this year for our free performers), your travel costs, plus it is up to you how much further you push your promotion by getting professional PR, or increasing your advertising, display advertising in publications. In terms if display advertising the Free Festival has negotiated discounts with several publications. Remember that you are putting on a professional show, and your production should be treated professionally - the more you put into it, the more you will get out of it.

With the collection money taken, many shows brake even, and especially with performers who had no or very little living expenses some made a reasonable profit. In most cases, performers who lost money were limited to a few hundred pounds, unless they had thrown much more into expensive accommodation or PR – and of course that can be recouped from work gained after the festival. if you are able you can also sell merchandise after your performance to increase your income further (with 100% of merchandise profits going to the performer).

bighiive.jpg (39486 bytes)The Free festival also helps you to enjoy the Fringe by offering performers discounts at our venues bars, and on food and drink, to help keep the day-to-day costs of being at the Fringe down, plus free internet access and networking and socializing events throughout the month, as well as the Meadow Bar becoming the de facto performers bar for free performers and people who don't want to go to the expensive performers bars in the mega-venues. 

Being a free show you are also currently exempt from PRS charges.

“There is a rebellion at the Fringe this year. High venue costs have caused some artists to take matters into their own hands. Doug Stanhope is charging £7349 for a one-off show in someone's living room and the Free Fringe organisations have brought more acts than ever to Edinburgh at no extra charge” – The List

What Will I get Out of It?

As well as the experience of performing intensively, and the enjoyment of being in Edinburgh with a large group of like-minded people in a welcoming and friendly atmosphere, you will also gain significant chances to network with other professionals and further your careers.

With good PR you will get press and media attention, along with reviews. In 2010 the majority of performers reported that they had been seen or approached by promoters or bookers for further work, and some have been invited to perform nationally and internationally - you will see our performers at other UK Festivals, in New York, at the Melbourne Comedy Festival, Hollywood Fringe and in many other places around the world because of their Free Festival shows. In once case a performer is currently putting together a treatment for a television series, another has toured to Beijing and so on!

In short you can achieve anything that you could do in a paid venue, but without the significant costs of this.

“Best Freebies: www.freefestival.co.uk – shows are free to audiences, venues do not charge fees to performers. The Free Festival is hosting 157 shows – with an expanded programme which now includes children’s shows, a free night-club and an opera. Performers tend to pass round a hat at the end of every show – but there is no pressure and you’ll enjoy the relaxed and friendly atmosphere.” – The Scotsman

"Free shows are great. I feel I should confess that I did one myself this year so I do have a vested interest in this. But overall I think they’re great for acts to be able to try stuff out without the chance of losing thousands of pounds. I think it gives audiences the opportunity to see some fantastic offering from a broader range of artists." - Tim Arthur, Time Out Comedy Editor

 
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